The Sacramento River Cats (Class AAA; Pacific Coast League) have installed a QSC TouchMix-30 Pro compact digital mixer at Raley Field, giving the ballpark new sound technology for this season.
In something that is key for a ballpark that is the size of Raley Field, the TouchMix-30 Pro’s ample Aux outputs and its Wi-Fi remote control allow operators to check and adjust the sound from multiple listening positions. “On game days, I am always running around,” said River Cats entertainment coordinator Trevor Levine. “The number one thing that caught my eye about TouchMix is, while I’m walking through the ballpark I can control everything from my iPhone or tablet. If someone says, ‘Hey, this or that level is too high,’ I can go boom, pull it back, EQ it, mute something that’s being a problem, whatever I need to do.”
“I’m in the sound booth often during games, but its the times when I’m not that are most important,” he said. “We have speakers all around the concourse, and on the fascia up above the suites. The TouchMix is also feeding additional speakers inside the VIP suites and more still in our Legacy Club, which is a separate indoor room. There are also the outfield speakers. Even with the windows in the sound booth open, I can’t necessarily tell if something in a particular area is too loud or too soft, too effect-heavy or too dry, or EQ’ed ideally. So being able to actually go out there, pull out my phone, and make tweaks is absolutely critical, and I can do it without constantly running back to the control room. Working this way wouldn’t be possible without TouchMix.”
The ballpark experience is bolstered when what fans hear supports what they see from one play to the next. Levine finds that for this purpose, the TouchMix-30 Pro’s studio-grade effects processing serves the River Cats. “For the P.A. announcer, I can add in reverb and delay to give things an arena-like feel, or auto-tune pitch effects for a hip-hop or EDM vibe,” he says. “Let’s say we want to do a ‘pump-up’ for a tense anticipation in the ninth inning, with that ‘epic announcer voice’ you’d might imagine for a rally moment. I can just add that to the microphone channel right onboard, without any separate effects unit or software or external routing. And it’s easy with TouchMix to get the perfect sound for that moment. When the ballpark was empty one night, I got on the P.A. mic and duplicated its channel. I experimented with effects on that channel and saved it when I had something I liked. Now, when we want the ‘epic’ voice, I can just bring that channel up and bring down the ‘normal’ one.”
The River Cats also believe that the TouchMix-30 Pro has helped to give Raley Field a distinct sound, providing a new element to the fan experience. “I grew up going to games as a kid,” Levine recounted. “If you close your eyes at your favorite ballpark, you’ll become aware of how familiar the sound is. Every stadium is built differently, and each has its own unique sound. That creates nostalgia. It creates a sense of connection to the team. With all the action we have going on at once— the play, the promos, the end-of-game productions — if people enjoy the sound and the music, they’re going to forget about things like the weather or the traffic on the way here, and they’re going to come back.”
“At Raley Field, we’re trying to be very intentional about the sonic component of the fans’ experience, from the DJ playlists having a little something for everyone, to anticipated ballpark organ, to effects on the announcer’s voice when needed,” he said. “For all those things, and especially because I can control them from anywhere in the park, I’d recommend TouchMix-30 Pro any colleague who does what I do. The TouchMix mixer has literally changed the game for me.”